Princess Rosella of Daventry (
primrosella) wrote2010-08-14 07:36 pm
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Entry tags:
- a modern sort of princess,
- absence makes the heart go yonder,
- adventures,
- at least it's not greensleeves,
- behold my mad skills,
- blue is such an enabler,
- curiosity killed the princess,
- everyone's dead and it's all my fault,
- happily ever after,
- i love my friends,
- i'm sorry i can't be perfect,
- knights and ladies,
- next time be more careful,
- nineteen and loving it,
- oblivious rosella is oblivious,
- something wicked this way comes,
- taking care of business,
- the perils of being rosella,
- too many questions,
- your princess is in another castle
Quest 211
[Accidental Video | Open Action]
[Rosella is sitting in one of the quieter, more secluded parts of the beach, perched comfortably atop a fairly large outcropping of rock and silhouetted against the rapidly setting sun. Her hair drifts lightly in the evening breeze as she settles back onto her hands and crosses her legs at the ankles, apparently contemplating the view. Across her lap lies what appears to be a flute; nearby, on the surface of the rock, sits a somewhat tattered paper notebook and pen. The video is at the wrong angle to see what might be written in that notebook, but its pages are covered in jotted notes, arrows, and some heavily-underlined question marks.]
If so needed, only in need...but what makes one need greater than another? What makes it a need at all?
[Like everyone else in her family, Rosella has a bad habit of talking to herself when she's alone, and especially so when she is trying to think; this, apparently, is no exception. She glances down at the notebook at her side, shifting her weight and raising one hand to tuck a wisp of stray hair behind her ear, and then settles back into her position again.]
Coin and cloth...and stone. Stones, new stones. Old friends, new stones, dark places...
[There is a pause, and then a sigh as she lets her head fall back in exasperation.]
Oh, drat it all, I don't know.
[She makes a face accompanied by a low murmur of frustration; though the video is at the wrong angle to capture the expression, the microphone does catch the sound. Then, shaking her head, Rosella sits up and raises her flute, apparently tired of musing for the moment, and opting to play a little instead.]
[OOC: So! Strange things are afoot in the City these days, and it's bugging Rosella something awful. So, tired of hanging out in the Warehouse and thinking up a storm, she decided to get out and go to the beach to muse a little, just for a change of pace. Feel free to action her up if you'd like, and Network for everyone else! But be advised--she'll probably deny that she's got heavy stuff on her mind. She's trying her best to stay upbeat these days.]
[Rosella is sitting in one of the quieter, more secluded parts of the beach, perched comfortably atop a fairly large outcropping of rock and silhouetted against the rapidly setting sun. Her hair drifts lightly in the evening breeze as she settles back onto her hands and crosses her legs at the ankles, apparently contemplating the view. Across her lap lies what appears to be a flute; nearby, on the surface of the rock, sits a somewhat tattered paper notebook and pen. The video is at the wrong angle to see what might be written in that notebook, but its pages are covered in jotted notes, arrows, and some heavily-underlined question marks.]
If so needed, only in need...but what makes one need greater than another? What makes it a need at all?
[Like everyone else in her family, Rosella has a bad habit of talking to herself when she's alone, and especially so when she is trying to think; this, apparently, is no exception. She glances down at the notebook at her side, shifting her weight and raising one hand to tuck a wisp of stray hair behind her ear, and then settles back into her position again.]
Coin and cloth...and stone. Stones, new stones. Old friends, new stones, dark places...
[There is a pause, and then a sigh as she lets her head fall back in exasperation.]
Oh, drat it all, I don't know.
[She makes a face accompanied by a low murmur of frustration; though the video is at the wrong angle to capture the expression, the microphone does catch the sound. Then, shaking her head, Rosella sits up and raises her flute, apparently tired of musing for the moment, and opting to play a little instead.]
[OOC: So! Strange things are afoot in the City these days, and it's bugging Rosella something awful. So, tired of hanging out in the Warehouse and thinking up a storm, she decided to get out and go to the beach to muse a little, just for a change of pace. Feel free to action her up if you'd like, and Network for everyone else! But be advised--she'll probably deny that she's got heavy stuff on her mind. She's trying her best to stay upbeat these days.]
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He hasn't been in the water but his hair is wet with spray, salt and sand flecking his skin, with his bare knees and calves having accumulated the worst of it. It's a far cry from the buttoned down (if brightly coloured) appearances he keeps up at the office, right down to the bare feet kicking up the beach as he jogs along the tideline. He doesn't notice he's in company until he hears it, looking up and around to find the source.]
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Oh, hello! Is that you, Dr. Chase?
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This is probably a bad place for the 'just some guy who looks like me' joke, right? [He gestures towards the flute, or the hand still holding it.] Don't tell me that one's popular in your world, too.
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[She slides over closer to the edge of the outcropping as he approaches, letting her legs dangle off the side and replacing her flute securely across her lap once again.]
Greensleeves is the anthem of my father's court, so it's one of my favorites. I'm told it's not nearly so popular in other places, though--something about being stuffy and old-fashioned, I think it was?
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[Leaning both hands against the rock he stretches his arms out, rolling his shoulders lightly.]
I assume it's not based on the same subject matter.
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I suppose so, but it's tradition to have it the way that it is. It's been that way since before my father was king, even, and I think even before King Edward, too. Besides, it's a pretty tune, don't you think?
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It is pretty. Are you thinking about home?
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Having all the pieces only matters if you're trying to match your puzzle to the picture on the box. If you don't know what the picture is yet, getting two or three right might be enough to help you figure it out.
[And, pause. Metaphors are contagious things.]
Does that make sense?
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[And that makes for such a ridiculous extension of the metaphor that she can't help but laugh, tipping her head back to regard the sky for a moment before looking back to Chase.]
And I know that didn't make much sense at all, did it.
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I think I can follow. You're trying to make what you've got make sense when you put it with the rest. Can I come up?
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And even if I don't get anywhere with this puzzle of mine, it's still a nice night for getting out and thinking. Summer's gone by fast, hasn't it?
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[Well he doesn't quite hop but gets a footing on a lower part of the rock and pulls himself up on the heels of his hands, twisting to get a seat next to her. Now he can see the debris of her thoughts, over to the other side.]
Especially when you're on schoolies. December was always over before it began. Now I take most of my time off in the winter.
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[She looks intrigued, and perhaps a bit tentative; Chase does like to make jokes, and it's not unusual for them to go over her head, so she's not entirely sure if he's teasing her now, or if he really means it.]
Then it must not be unusual for you at all when the City reverses the seasons every year, mm?
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It's one of the few times it feels normal at all. What shape is your world, do you know? Mine's round, like a ball.
[Arm resting on his thigh, he curls an empty hand around the outlines of an imaginary globe.]
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[Not that he's doubting you, Rosella, just your world's level of self knowledge.]
Our ball has a tilted axis, so it rotates like this [And his hand twists to show, while he raises the other fist, balled up into another planetary force] around our sun. When it's on this side of the sun, this part of the ball is closest and hottest. Six months later it gets to this side, and the other part of the ball gets its summer. The city here is just biased toward the first side of the ball.
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[She watches this explanation closely, trying to imagine a ball big enough to hold a whole world of people without any of them slipping off down the side--not an easy prospect.]
You really mean to say that your whole world moves around that way? My goodness, do you have to tie everything down to keep it from breaking as it goes?
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[Perhaps too knowingly. Of course he doesn't know the geographical layout of her world, only that it's a fairytale and fairytales can be anything they want without rhyme or reason (well, sometimes with rhyme). He gives up his makeshift strophysics lesson, folding his hands in his lap.]
And nope. Everything on the surface of the earth is caught in it's gravitational force. We're moving along with it, so we can't see or feel any movement. I've flown from the top of the ball to the bottom, and you can't even tell you're flying in a curve. I'd take a bet this City is on a curved world, too.
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[But the mention of the City and its nature gives her pause, and she shoots a look out over the ocean toward the setting sun. There's a barrier out there somewhere, she knows, even if it can't be seen. Is this really a world so big that there's no discerning its curve? That would mean that there's much, much more out there besides just the City...and perhaps, then, that's where she'd manage to find some answers to her questions, after all...]
What makes you say that? About the curve, that is. How can you tell either way, without seeing it for yourself?
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Can you see to the end of my fingertips?
[After a minute to check, he curls his fingers under, holding that invisible ball again but with his palm facing down.]
And now? You can't see beyond the curve. Now, look out at the ocean.
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I think I see, yes...
[Her brow furrowed, she does as he instructs, turning her attention to the ocean once more.]
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[He pulls his knees up, toes curled over the edge of the rock.]
I spent a long time watching boats, the weekend you were a pirate.
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