primrosella: (Sleeping Beauty)
Princess Rosella of Daventry ([personal profile] primrosella) wrote2010-10-22 02:38 pm

Quest 228

The blonde girl sits silently at the foot of the bed, her defeated posture echoed in the hollow look that has consumed her eyes. The door has shut, the lock turned with a resounding click; she is trapped. What's more, she is defeated. Her quest ends here, in the tower room that belongs to her husband-to-be, and her failure will be sealed twofold at dawn: with her unwilling marriage vows, and with the deaths of her father and the queen of the fairies. Lolotte has won; she has lost. She has endured dragons, trolls, ogres and hags, zombies and ghosts--

And here, in the end, her ultimate defeat comes from a simple locked door.


She has been sitting numbly for what seems like an eternity, fragile and withdrawn as the exhaustion and bitter realization begins to descend upon her, when the sound of faint scratching at the door rouses her attention. Slowly, as if walking through a daze, she forces her limbs to work and goes to the door to investigate. And there, lying against the floor, lies a red rose with a glint of gold in its petals.

She pricks her finger scrabbling for it, not daring to believe. But the key concealed within the rose fits in the door's lock, and turns smoothly without protest.

Freedom!

No, not yet. Not so long as the witch still lives.

It is the dead of night; the castle is dark and gloomy, and the twisting stone steps that lead down into the tower are narrow and treacherous. She barely dares to breathe as she descends with the greatest of care, making her footfalls as silent as possible against the stones and praying that the sound of her heartbeat thudding in her chest is not as loud in reality as it seems to be in her ears.

The guard sleeping at the bottom of the steps stirs as she makes her way past; terrified of being discovered, she presses herself against the wall, praying that the shadows will conceal her. She holds her breath, and he stirs, but does not wake. And she moves on.

Step by perilous step she goes, past more sleeping guards, traversing the rooms one by one with nothing but shadows and prayers on her side. In the kitchen, she finds her possessions stored in one of the cupboards; as she reclaims them, she touches her fingers to her lips and presses them to the tip of her one remaining arrow--Cupid's arrow--in silent blessing. This is her final arrow, and she has already picked its target. This one has Lolotte's name on it.

More shadows carry her to the throne room, and this is where the voices begin to whisper from the walls. Familiar voices, pleading voices, drawing her attention to the shadows of the room. These are the voices of the people she knows, will know, will someday lose. She nearly stops to listen to them, searching for the source of the sound, but then the sleeping guard shifts at his post and fear of discovery drives her on. On again, on again. On to the other tower, the twin of the one in which she was imprisoned.

Stairs again. The voices whisper more insistently as she climbs them, pressed against the wall, willing herself invisible in the shadows.

Rosella, please.

Oh, god, it hurts so bad.

Don't look, Rosella.

Breathe, Rosella.


Halfway up the tower, there is light through a doorway. A hallway that leads to torture chambers. Here, the guards are awake. Here, she will be discovered.

She must go up. Up the treacherous stairs, up into the shadows. Up to the room at the top of the tower, where the witch waits to die.

The little gold key fits in the lock there as smoothly as it did in her own.

When she moves, it is quick. The door swings open, turning silently on its hinges; she steps into the room, pulls back her arrow, and lets fly in one smooth motion. There is no hesitation as she fires Cupid's arrow straight into the witch's heart, though her fingers are trembling and her eyes are still hollow and dark.

The witch awakens with a scream, sitting straight up in bed as her spindly green fingers instantly go to her pierced heart. "What have you done to me?! The pain! It burns!" she howls, her eyes red as blood as they fix on her murderess, the bowstring still quivering on the bow in her hands. "You! I'll get you, peasant girl! You'll die for this!"

These were once Lolotte's dying vows. But this time, to her horror, the witch does not die. Instead, her bony arms rise and her mouth opens in a vicious howl as six more glowing eyes open in her hideous green face and spider's legs erupt from the bedcovers. The bow drops from her fingers as she recoils backward, as skeletal hands emerge from the walls, as undead lurch from the shadows. They are fast, and they seize her, and the tower echoes with Rosella's screams as the spider-witch lurches forward from its bed, and the room goes pitch-black.



[OOC: All threads will be treated as individual iterations of the dream unless otherwise specified/arranged; visitors, feel free to drop in at pretty much any point in the dream. Also note: visitors are welcome to fight the witch, rescue Rosella, or otherwise attempt to interfere with the dream, just please take it up with me here, on my OOC Dream Thread, first! Also, any type of action is fine--brackets, prose, whatever works best for you. ♥]

sleep on the right side of the white noise ][

[identity profile] oshutup.livejournal.com 2010-10-23 06:18 am (UTC)(link)
"Dead." He doesn't mean to lie to her and hopes that the dried out shell of an enemy really is as dead as she looks. If she's even still there at all. Nightmares, dreams are funny that way. Unpredictable. Ever changing. Taking things away. Putting them back. Switching them around. When he settles his hands on her shoulders he finds himself unarmored, though in the same state of sweat, blood, and dirt that seems par for the course where witches, swords, and other nightmarish things are concerned. "It's all right," again he doesn't mean to lie, but it's true that more of this statement is what he wants it to be than what he is certain of. This isn't his battlefield, so the rules he knows may not apply, the faith he holds fast to may be quieter in presence. But it's not enough room to question it altogether, so he tells her what he hopes. It's all right.

"Do you want to leave?" It seems, for the most part, a stupid question but still somehow better than pulling her upright and pushing her out the door, which seems normal once again, the walls at rest--just walls.

sleep on the right side of the white noise ][

[identity profile] primrosella.livejournal.com 2010-10-23 06:31 am (UTC)(link)
"We have to--it's dawn," she says, which makes perfect sense to her but is a poor explanation for anyone else, and it takes her a few seconds before that realization catches up with her. "The--where is it? The talisman. We have to give it back. We have to go, she's going to die, she's--"

We're not done yet, she thinks despairingly, but rather than filling her with her usual motivation, this time all the fight seems to rush out of her at the prospect. There is still more to do. It's not over. They could still die, if she fails.

"We have to leave," she clarifies after another minute, dimly recalling how this all is meant to go. "Edgar will be here soon, and--and it's dawn, we have to hurry."

sleep on the right side of the white noise ][

[identity profile] oshutup.livejournal.com 2010-10-25 02:02 am (UTC)(link)
Curling his hand around the talisman, he holds it out to her, not knowing if she wants to keep hold of it herself or for him to do so himself.

"Where? I'm not familiar with...any of this, Rosella," he says not in the way of patronizing sort but quite frank, calm, quiet even. Something about her despair that makes itself almost tangible, and if it had a form it might be made of glass right now. Wherever the sun pools in from, it has a unifying effect on both blonds, or seems to do so from Peter's perspective, which makes him feel that there is at least some purpose to his being there at all. He may not know what it is, but he has been in that position plenty of times before; those times he did not take it quite as composedly, granted, but there is something to be said for taking one's experience along.

sleep on the right side of the white noise ][

[identity profile] primrosella.livejournal.com 2010-10-25 02:25 am (UTC)(link)
She takes the talisman from his hands, clutching it close to her chest as it glows with reddish warmth, less like blood now and more like a warm ember beginning to burn in her hands. This is all so natural to her, so obvious, that it's almost strange to realize that he's lost as to what to do with all this.

Alexander was a bit lost, too, when he'd rescued her. She'd taken him by the hand, back then, and led him home to the sound of cheers.

This time, she doesn't take her rescuer's hand, but she does motion to Peter, slowly getting to her feet and seeming to shake off a haze of uncertainty that has been clouding her mind. The motion sends her hair cascading around her shoulders, golden in the light of the dawn--and yes, dawn, it's important that they go, because things aren't over yet, are they? There are still things to do at dawn.

"This is a talisman that belongs to the queen of the fairies," she explains, heading toward the stairs without looking back at the corpse of the witch, keeping her eyes fixed on the gem in her hands. "She'll die without it, if I don't get it back to her soon. That was the whole reason for all this--coming here--killing her. I had to get it away from her somehow." She pauses, trembling all over, and then adds, "I don't know why it didn't kill her this time. It did before. I didn't mean it to, but--"